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Editors and post-production staff working at a filmmaking workshop in Addis Ababa

Service

Post-Production, Editing and Colour Grading

Offline and online editing, grading, graphics, sound, Amharic transcription and subtitling, and delivery to broadcast spec — in house in Addis Ababa.

Short answer

Film Ethiopia offers full post-production in Addis Ababa: data wrangling and backup on location, offline and online editing, colour grading, motion graphics and animation, sound design and mix, Amharic and local-language transcription and subtitling, versioning for broadcast and social, and delivery to broadcaster specification. Henok Mebratu personally edits and grades, with four feature films and more than ten documentaries cut in house, so post is a core discipline here rather than a bolt-on to the fixing service.

Post as a core skill, not an add-on

Most fixers stop when the truck leaves. We do not, because the founder of this company is an editor and colourist first. Four feature films, more than ten documentaries and over a hundred and fifty commercials have been cut and graded in house, including work screened at the African Union, the European Union headquarters in Brussels and the United Nations General Assembly.

That matters on the shoot as well as after it. A crew led by someone who will have to cut the material shoots coverage that actually assembles.

Services

  • On-location data wrangling, checksummed backup and dailies
  • Offline edit and story assembly
  • Online conform, finishing and deliverables
  • Colour grading for broadcast, cinema and online
  • Motion graphics, titles, lower thirds, maps and 3D animation
  • Sound design, dialogue clean-up, foley and mix
  • Amharic, Afaan Oromo, Tigrinya, Somali and Afar transcription and translation
  • Subtitling, closed captions, burn-ins and multi-language versioning
  • Social and broadcast versioning, aspect ratio variants and delivery to spec

Transcription and subtitling done properly

Machine transcription of Amharic is still poor, and it is worse for Afaan Oromo, Tigrinya, Somali and Afar. A mistranslated interview line has ended more than one documentary's credibility. We transcribe and translate with native speakers, timecode everything, and flag where a phrase carries a meaning that the literal translation loses.

Editors working abroad get a timecoded English transcript they can cut from directly, plus the original-language transcript for reference.

Post-Production, Editing and Colour Grading

Questions producers ask

Can you edit remotely with our director?
Yes. We work with remote review workflows and live sessions so a director in another time zone can watch the timeline and give notes as we cut.
Do you grade to broadcast specification?
Yes, including legal levels, loudness standards and the deliverables paperwork broadcasters require. Tell us the delivery spec at the start and we will build the pipeline around it.
How accurate is your Amharic transcription?
It is done by native-speaking transcribers and checked, not generated automatically. Timecoded English and original-language transcripts are delivered together.

Start a production

Tell us what you are trying to shoot

Send dates, regions, crew size and a paragraph about the film. You will get an itemised, honest answer within one working day — and we will tell you if something is not going to work.